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| Afai Lai Biswas Garena Bhanay |
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This is a 3D animated short which we believe
is the FIRST 3D ANIMATED SHORT IN NEPAL which
was first broadcasted on Kantipur television
in September 2006. The storyline was derived
from a series of folkstories called
"Panchatantra" which goes back to the
sanskrit ages. It took us 4 months to
complete starting from screenplay to
postproduction.
Credits:
Story written and directed by
Diwakar Chettri
Story Editor and Project Coordinator
Sichu Khairgoli
Production Director
Yalamber Khairgoli
Technical Director
Prabhakar Chettri
Firefly Studios. (formerly known as HA!Toons)
Enjoy!!
Tags : firefly hatoons 3d 2d animation nepal kathmandu story comedy lesson nepali nepalese people folkstories arts design web |
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Affichage : 11476
Durée : 356 s |
| Jagirdar 1937 First Major Movie of Anil Biswas - Audio Clip |
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On the Death Anniversary of Anil Biswas last
week, am sharing with you a song from his
first major movie Jageerdaar 1937. Motilal
and Maya Bannerjee are singing Nadi Kinaray
and this duet is penned by Zia Sarhadi. Most
of the crew of the movie is not among us so
lets pray for all of them to rest in peace as
they lived to entertain us and our
forefathers, if not the new youth of today.
Regards
Dr.Bukhari
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About Anil Da:
Anil Biswas was born on 7th July 1914 in the
Barisal District , now in Bangladesh. Being a
talented tabla player, he worked initially in
amateur theatre as a child singer. His
student days saw him becoming a political
activist, going to jail repeatedly as he
associated himself with terrorist insurgency
movements in Bengal. He received early
musical assignments from Kazi Nazrul Islam at
the Megaphone Gramaphone Company. Followed
several Calcutta Theatre Stage Productions
notably at the Rangmahal Theatre where he
scored the music and did some acting as well.
He moved to Bombay in 1934 where he was first
employed at the Eastern art Syndicate. He
then joined Sagar Movietone and then its
successor National studio from 1940 - 1942
wherein he gave the music for three
outstanding Mehboob Khan films - Aurat
(1940), Bahen (1941) and Roti (1942). His
recitative prose songs in the last mentioned
film helped to give the film its parable
dimension and came close to an indigenous
Brechtian mode. He then shifted to Bombay
Talkies where he worked from 1942 His biggest
success at Bombay Talkies was Kismet, coming
the following year. The film itself was a
tremendous success running for over three
years at Calcutta. A lost and found crime
drama, one of the major reasons for its
success was Anilda's evergreen musical score.
By now trained singers were entering the Film
Industry giving Music Directors opportunities
to try out newer sounds. The songs in Kismet
be it the patriotic Door Hato O Duniyawalo
Hindustan Humaara hai or the sad Ghar Ghar
Mein Diwaali or the soothing lullaby Dheere
Dheere Aa sees Anilda make splendid use of
Amirbai Karnataki's full throated voice. The
last named song, a duet with Ashok Kumar,
often had Anilda jokingly comment that
perhaps it was the only song that Dadamoni
sang in tune! Some other films that Anilda
gave music for at Bombay Talkies include
Dilip Kumar's maiden film Jwar Bhatta (1944)
and Milan (1946).
Ani Biswas's best-known compositions are
among the most effective film adaptations of
theatrical music with 12 piece orchestras and
full-blooded choral effects. In fact Anil
Biswas's contribution to film music is
multi-faceted. Beyond all the musical
masterpieces that Anilda composed, he was
also responsible for being the man behind
such voices as Surendranath, Parul Ghosh (his
sister married to renowned flutist Pannalal
Ghosh), Sitara Devi, Mukesh, Talat Mehmood
besides monitoring Lata Mangeshkar's early
career. It was Anilda who taught Lata and
other singers the techniques of breath
control while singing and putting emphasis on
syllables that came on the beat of the song.
It was Anilda who not only discovered Mukesh
but encouraged him to come out of being a
K.L. Saigal clone and it was he who insisted
that Talat keep the tremor in his voice which
other composers saw as a flaw. As it was, it
was this quiver in his voice that made Talat
the unique singer he was. This is best
illustrated in two outstanding songs among
many others that he sang under Anilda's Baton
- Ae dil Mujhe Aisi Jagah Le Chal (Arzoo
(1950) and Seene Mein Sulagte Hain Armaan
(with Lata from Tarana (1951)). It is also
said that Anilda was responsible for the
basic structure of film songs that we know
today and was a pioneer in using the counter
melody and the use of Raag Maala. Heres his
Filmography (90% complete though)
Dharam Ki Devi
Fida-e-Watan
Piya Ki Jogan
Pratima
Prem Bhandhan
Sangdil Samaaj
Sher Ka Panja
Bull Dog
Dukhiyari
Gentleman Daku
Insaaf
Jagirdaar
Mahageet
300 Days and After
Dynamite
Gramophone Singer
Hum Tum Aur Wo
Postman
Watan
Comrades
Ek Hi Raasta
Alibaba
Aurat
Pooja
Aasra
Behan
Nai Roshni
Apna Paraya
Ghareeb
Jawani
Vijay
Hamari Baat
Kismat
Char Aankhen
Jwar Bhata
Pehli Nazar
Milan
Bhookh
Naiyya
Anokha Pyar
Gajre
Veena
Laadli
Jeet
Aarzoo
Beqasoor
Laajawab
Aaram
Badi Bahu
Do Sitaare
Tarana
Doraha
Aakash
Fareb
Hamdard
Jaliyan Wala Bagh Ki Jyoti
Mehmaan
Raahi
Maan
Mahatma Kabir
Munna
Naaz
Waris
Faraar
Heer
Paisa Hi paisa
Abhimaan
Jalti Nishani
Pardesi
Sanskaar
Char Dil Char Raahen
Jasoos
Angulimal
Return Of Mr. Superman
Lucky Number
Hamen Khelne Do
Sautela Bhai
Raju Aur Gangaram
Chhoti Chhoti Baaten
He died on May 31, 2003
Tags : Jagirdaar Anil Biswas Motilal Maya Bannerjee Indian Urdu Old Classic Rare Gem Dr.Bukhari |
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Affichage : 940
Durée : 195 s |
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